André MitinWedding Photo Studio
The team

Equipment

The cameras,
the lenses, the redundancies.

Equipment doesn’t make a good photographer. Bad equipment can ruin a good one. Here’s what we bring to every wedding, and why.

Photography bodies

  • Sony α7 IV (×6)

    33-megapixel full-frame, dual-card. Standard team body. Two per Lead per wedding day.

  • Sony α1 (×2)

    50-megapixel, 30fps. Reserved for large group portraits and high-resolution work. Used by Andre when he is on-camera.

  • Fujifilm X100VI (×3)

    Backup + B-roll + behind-the-scenes. The camera we hand to the second photographer for documentary frames.

Lenses (Sony FE mount)

  • 24mm f/1.4 GM

    Tight ceremony spaces, environmental portraits, the venue shot at golden hour.

  • 35mm f/1.4 GM

    The team's most-used lens. Couple portraits, reception details, hands.

  • 50mm f/1.2 GM

    Editorial portraits. Cinematic compression at f/1.4.

  • 85mm f/1.4 GM

    Bride+groom isolation. Long-lens ceremony coverage from the side aisle.

  • 70-200mm f/2.8 GM II

    Speeches, distance ceremony, when we cannot be close.

  • 24-70mm f/2.8 GM II

    Backup walkaround. Solo coverage of small ceremonies and civil days.

Video

  • Sony FX3 (×2)

    Cinema-line for wedding films. Slog3 recording, full-frame, 4K.

  • DJI Ronin RS3 Pro (×2)

    Gimbals for cinematic motion. One per cinematographer.

  • Røde Wireless Pro lavaliers (×4)

    Speeches, vows, officiant audio. Backup recording on every wedding.

  • DJI Mavic 3 Pro + DJI Air 3

    Drone coverage where venue rules and local regulations allow.

Lighting

  • Profoto B10 Plus (×3)

    Battery-powered strobes for ceremony fall-back, reception ambient, and on-location flash portraits.

  • Aputure 600d (×2)

    Continuous LED for video and stylised mixed-light frames.

  • On-camera Godox V1

    Off-camera flash via wireless trigger when ceiling-bounce is the right move.

  • Reflectors, scrims, neutral cards

    Always in the case. Often used. Rarely talked about.

Storage & redundancy

  • Dual-card recording, every body, always

    CFExpress + SD simultaneous write. No single point of failure on the day.

  • Pelican hard cases

    Two cases per wedding day, transported separately.

  • Off-site backup within 24 hours

    Every card is copied to two physical drives plus cloud archive before the next morning.

Questions about gear?

Ask Andre directly. He likes this topic.